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Released to coincide with Verdi’s anniversary year (1813 to 2013). A unique and carefully-crafted personal selection of Verdi arias and songs that takes us on a musical journey from Verdi's earliest compositions 1838 to the very last he wrote for the tenor voice: the beautiful aria from Falstaff "Dal labbro il canto estasiato vola" 1893. Featuring familiar, universal favourites such as “La donna e mobile” and “Questo o quella”, alongside less familiar gems from across Verdi’s operatic output. Recorded in Turin, with the world-class Orchestra del Teatro Regio di Torino, and under the direction of award-winning conductor, Gianandrea Noseda. A genuine voyage of musical discovery, designed to appeal to the casual classical audience, as well collectors and Verdi completists. Rolando owes his international breakthrough to Verdi: he has made opera history in La Traviata, Rigoletto and Don Carlo, as well as being a celebrated interpreter of the breath-taking Requiem. This is Rolando’s own personal tribute to one of history’s most popular composers.
Catalogue: 4779460
Sku: 2212400
TRACKS
DISC 1
| In solitaria stanza (composed in 1838) |
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| L’esule (1839) |
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| Son fra voi (from “Oberto, Conte di San Bonifacio”) (1839) |
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| Ciel che feci! (from “Oberto, Conte di San Bonifacio”) (1839) |
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| Qui ti rimani… Brezza del suol natio (from “I due Foscari”) (1844) |
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| Sotto una quercia parvemi (from “Giovanni d’Arco”) (1845) |
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| Irne lungi ancor dovrei (from “Alzira”) (1845) |
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| Brindisi (1845) |
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| Il Mistero (1845) |
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| Je veux encore entendre ta voix (from “Jerusalem”) (1847) |
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| Eccomi prigioniero (from “Il Corsaro”) (1848) |
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| Questo o quella (from “Rigoletto”) (1851) |
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| Ella mi fu rapita… Parmi veder le lagrime (from “Rigoletto”) (1851) |
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| La donna e mobile (from “Rigoletto”) (1851) |
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| Fontainbleau! Foret immense et solitaire!.. Je l’ai vue, et dans son sourire (from “Don Carlos”) (1867) |
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| Ingemisco (from the Requiem) (1874) |
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| Dal labbro il canto estasiato vola (from “Falstaff”) (1893) |
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