This book addresses the artistic phenomenon of “Whistlerism”, originated by the American painter James McNeill Whistler, and sheds light on this movement’s origins, its history and its wide-ranging impact on literature, poetry, art criticism, design and art philosophy.

Whistler’s students and followers adopted the artist’s visual language and helped to spread his work and his artistic theories during the late 19th century and early 20th century. The enduring nature of Whistlerism and its influence internationally allows it to be seen as a major artistic trend in Europe and the USA. The notion of Whistlerism offers a new prism to explore the history of art at the turn of the century. The particularity of this artistic phenomenon is that it emerged during the artist’s lifetime and held sway over international contemporary art, literature and art criticism between 1878 – which marks the date of Ruskin's trial and the starting point of the myth of the artist, marked by the emergence of various adjectives, such as “Whistlerian” – and the beginnings of the Great War.

This book presents the latest research on Whistlerism and introduces new perspectives on this subject throughout a range of chapters written by internationally recognized specialists of the painter. The topics deal with the visual arts as well as with literature and art criticism, but also with design, objects, scenography and the art of gardening.

This collection is ideal for researchers in modern art, design and visual studies.