Intimate Commentaries on Tadeusz Kantor’s Theatre is a collection of Michal Kobialka’s essays, written between 1986 and 2025, that provide a comprehensive understanding of Kantor’s theatre practice.

The book is divided into three parts, each focusing on a specific area of Tadeusz Kantor’s theatre practice. Part One explores Kantor’s radical departure from, or rupture within, the known and accepted representational categories not only of the 20th, but also of the 21st century. Part Two focuses on Kantor’s productions, which disrupted the preestablished artistic conventions in order to infiltrate and shatter the prevailing political, ideological, and cultural systems of power. Part Three sheds light on Kantor’s 1949-1990 theatre experiments with objects, matter, space, reality of the lowest rank, an autonomous work of art, zero zones, the impossible condition, and complex mnemotechnics, which reflected his unwavering belief that theatre was an answer to, rather than a representation of, reality. The three parts elucidate the central argument of this book, that Kantor’s theatre is an example of refractory art in its double sense: as a negation of the status quo and as a deviation from the dominant artistic conventions in service to any official cultural system and its culture industry.

Intimate Commentaries on Tadeusz Kantor’s Theatre will be of interest to scholars and students of theatre and performance, performance theory, theatre history, Polish theatre, and avant-garde art in the 20th century.