From the moment he landed in NYC, Keith Haring took 3D objects as his atypical canvas. From cars to vases to refrigerators and even a sarcophagus, these could often be rich sites of collaboration with artist contemporaries including Jean-Michel Basquiat, Kenny Scharf, and LA2 (Angel Ortiz) among others. Extending his unmistakable mark-making to clothes, stage sets, and bodies brought further collaboration, with the likes of Grace Jones, Bill T. Jones, Madonna, and Annie Leibovitz, the last of whom photographed Haring in an iconic session when he had made his own body a canvas, painting himself to blend into an elaborate 3D environment. With more than 350 illustrations, seven essays, stunning reproductions of his art in three dimensions, and archival photographs of Haring at work, this book gives readers the opportunity to immerse themselves in the world Haring created as never before.