The Cheese and the Worms is an incisive study of popular culture in the sixteenth century as seen through the eyes of one man, the miller known as Menocchio, who was accused of heresy during the Inquisition and sentenced to death. Carlo Ginzburg uses the trial records to illustrate the confusing political and religious conditions of the time. For a common miller, Menocchio was surprisingly literate. In his trial testimony he made references to more than a dozen books, including the Bible, Boccaccio's Decameron, Mandeville's Travels, and a 'mysterious' book that may have been the Koran. And what he read he recast in terms familiar to him, as in his own version of the creation: 'All was chaos, that is earth, air, water, and fire were mixed together; and of that bulk a mass formedjust as cheese is made out of milkand worms appeared in it, and these were the angels.'Ginzburgs influential book book has been widely regarded as an early example of the analytic, case-oriented approach known as microhistory. In a thoughtful new preface, Ginzburg offers his own corollary to Menocchios story as he considers the discrepancy between the intentions of the writer and what gets written. The Italian millers story and Ginzburgs work continue to resonate with modern readers because they focus on how oral and written culture are inextricably linked. Menocchios 500-year-old challenge to authority remains evocative and vital today.