This book offers a holistic guide as to how South African identity and culture can be understood in the past, present, and future.

Drawing from the rich archive of previously published articles from the journal Safundi, South African Cultural Studies documents the mutual histories of the country and the journal over the past quarter century. Divided into six sections, the first section addresses cultural figures, including Oprah Winfrey, Trevor Noah, Olive Schreiner, and Dimitri Tsafendas—an unusual group that illustrates the unique and international character of South African culture. The second part brings attention to the important role that photography has had in depicting and narrating South African cultural life, whether through the intimacies found in recent images by Zanele Muholi or the historical work of David Goldblatt and Santu Mofokeng. Part three of the book looks at music as another idiom that has proven indispensable for South African social life with Miriam Makeba, Rodriguez, and Die Antwoord providing examples. The fourth and fifth sections of this book address sexuality and film, respectively, underscoring at once the contrasting approaches to popular culture that have surfaced in Safundi as well as their requisite abilities for grasping everyday tastes and mores. The worlds of Ms. magazine, District 9, Black Panther, and Spike Lee, to pick only several topics raised, supply ways of thinking across these chapters. The final part of the volume concludes with the role of place in the construction of culture, whether museums, national monuments, the Spur restaurant franchise, or landscapes like the Karoo.

This book will be an indispensable resource for scholars, students, activists and critics, as well as readers who are generally interested in understanding South Africa’s cultural history over the past century.