Chris Gall's Impressionists Improvised brings new sound to 150 years of Impressionism, blending Debussy, Ravel, and Satie with bold jazz improvisation.

Chris Gall is one of the most respected German pianists of his generation, consistently expanding the boundaries of jazz through his global performances with Quadro Nuevo, two trio releases on ACT, award-winning orchestral film soundtracks, performances with the Salzburg Philharmonic, and more. Blending iconic works by Debussy, Ravel, and Satie with his own inspired compositions, Gall's new record re-imagines these classics with bold improvisations and a contemporary sensibility.

150 years after the Impressionist movement began in Paris, Gall offers a fresh perspective. He melds the tonal and harmonic richness of Impressionism with the improvisational essence of jazz within a soundscape that is both nostalgic and modern.

Gall's masterfully subtle, virtuosic touch across two pristine recorded pianos presents nine pieces most will be familiar with. Erik Satie's 'Gymnopédie No. 1' becomes a hypnotic journey, performed on a delicately prepared upright piano and inspired by contemporary minimalist aesthetics. His playful take on 'Gnossienne No. 2' infuses the enigmatic melody with the rhythmic elegance of Broadway jazz, while Ravel's 'Pavane pour une infante défunte' is performed as a Britpop anthem.

Complementing these classics are Gall's own compositions, which draw directly from the Impressionist ethos. From the relaxed jazz waltz of 'The Impressionist No. 1' to the bluesy, modal allure of 'The Impressionist No. 2', each piece captures the spirit of the movement in a contemporary framework. 'Satiesfaction' stands out as a bold homage to Satie, merging classical elements with the rebellious energy of modern rock.

With 'Impressionists Improvised', Chris Gall invites audiences into a world where the timeless beauty of Impressionism meets the boundless possibilities of jazz. A celebration of the past and a bold step into the future, the record offers the opportunity to rediscover the timeless beauty of these works, now adorned with the colors of the present day.