In these hybrid poems, Jessica Q. Stark explores her mother's fraught immigration to the United States from Vietnam at the end of war through the lens of the Little Red Riding Hood fairy tale.

Told through personal, national, and cultural histories, Buffalo GirlJuxtaposing the moral implications of Little Red Riding Hood with her mother's photography, Stark creates an image-text conversation that attends to the wolves lurking in the forests of our everyday lives.

Opening the whispered frames around sexuality and sex work, immersed in the unflattering symptoms of survival, Buffalo Girl burgeons with matrilineal love and corporeal rage while censuring the white gaze and the violence enacted through the English language. Here is an inversion of diasporic victimhood. Here is an unwavering attention to the burdens suffered by the women of this world. Here is a reimagination, a reclamation, a way out of the woods.