?For today's musicologists, performers and concert-going audiences, Mozart's final symphonies are still a veritable miracle. Why they were written remains a mystery, and no-one knows whether Mozart ever heard them performed during his lifetime. One thing is certain: Mozart created three individual, distinctive and unique works here, which complement each other despite their extreme diversity. The symphonies in E Major, K 543 no. 39, G minor, K. 550 no. 40, and C Major, K. 551 no. 41, also known as The Jupiter are the ones that most represent Mozart's symphonic legacy to later generations of musicians. With it's slow introduction, the Symphony in E flat major also opens the entire cycle, already giving the listener a sense of it's highs and lows. As early as 1800, the popular Great G minor Symphony was praised as the painting of a passion-stricken soul. Like it's big sister, the Jupiter Symphony in C Major, it numbers among the most-played works in classical music and has been immortalized in countless recordings. Nevertheless, these symphonies probably the most profound ones before Beethoven reveal themselves as something quite new in every interpretation. Mozart placed all the dark sides of human existence into his G minor Symphony, says Herbert Blomstedt, adding that it's passion continues to fascinate him. The eminent Swedish conductor Herbert Blomstedt, a close associate and regular guest conductor of the BRSO, conducted the E Major Symphony on December 18 and 19, 2019 in the Philharmonie at the Munich Gasteig, the G minor Symphony in concerts on January 31 and February 1, 2013 and the Jupiter Symphony on December 21 and 22, 2017 in the Herkulessaal of Munich's Residenz. The new 2-CD set from BR-KLASSIK now presents these great cornerstones of Mozart's symphonic oeuvre -in the very best sound quality.