Generacion Cortazar

Rocamadour, composed by Pablo Ortiz 1956 opens up an aesthetical enigma for the listener: the letter from La Maga Rayuela, 1963 inspires an orchestral fantasy, abstract and virtuosic, stylistically akin to minimal music but strongly anchored in a disquieting, dark rhythmic obstinacy, close to Uruguayan candombe. La noche boca arriba, by Julio Viera 1943 is technically a melodrama: an orchestral composition that includes a narrative, meticulously rendered in the score. In our production, the text materializes in the voice of Lisandro Abadie, and Marcelo Nisinman is in charge of the subtle bandoneon part. The piece includes almost the totality of the original story. Viera's colorful palette projects itself on every scene: the motorcycle on the damp Paris pavement, the accident, the repeated losses of consciousness at the hospital, the violent moves in the rainforest. Every instant is subtly and vividly described in an almost film-like language. Tercera Generación, by Marcelo Nisinman 1970 was inspired by a brief and powerful text, published in Último Round 1969. The piece is marked by a powerful rhythmic force. Nisinman writes without prejudice: one can sense Mahler's stare hiding behind a dense tango-smoke.