When Hugh Tracey made 35,000 recordings across Africa between the 1920s & 70s, his intention was to reveal the beauty and complexity of the music to a world that saw little value in it. Sixty-five years later, artists are being allowed to access the archives of the International Library of African Music (ILAM) for the first time, with contemporary producers putting a fresh perspective on the never-heard-before sounds to help bring them to a new generation.Income generated will be used to assist communities in the areas where the music was originally recorded.