Pierre Monteux often bemoaned the fact that he was associated with the French and Russian repertoires, to the exclusion of music from outside of those traditions. He could hardly help it; after all, it was Monteux who conducted the first and famously chaotic performance of Stravinsky’s Le Sacre du printemps in 1913. Nevertheless, he recorded all of Beethoven’s symphonies (some of them more than once) and all of Brahms’s, with the exception of the Fourth. He made only one recording of Sibelius’s Second. This came late in his career, in 1959, and was the only commercial recording he made of this composer’s music. Monteux conducts the score with evident affection, and with a lush romanticism that suggests the Mediterranean more than the cold waters of the Baltic Sea.

Receiving its first international release on CD is Lorin Maazel’s recording of the Karelia Suite, made around the same time as his Vienna Philharmonic Sibelius cycle. Together with Monteux’s Sibelius Second, it is one of the most-requested reissues from the Decca catalogue.