Everything Is Gonna Be Ok In The End

This French duo has been touring nightclubs and making dancefloors quake all around the world for the last 3 years. Their first music video for the massively successful single ‘Baby Baby Baby’ http://vimeo.com/10484405 has had over 20 million views, and now the wait for an album is finally over. Constantly torn between their various influences of electro, rock, folk and hip-hop, they finally decided not to make one limited choice. They wanted an album that could be listened to on a beach or in a car, either slowly or at full throttle, and one that you could move to. So this debut album followed a single guideline, the only one they managed to hold true from the beginning: dancing girls. In every possible way. Thus was born an album with three identities, more precisely, Soft, Pop and Hard, that blends seamlessly into one magnificent whole. Three variations of music for three different moods. When Greg & Pierre wrote, they were thinking of Phoenix, AC / DC and Bloody Beetroots, Daft Punk, Justice, Birdy Nam Nam and Run DMC, Drive Pilot, Lily Allen, Beastie Boys and Sebastien Tellier, Empire of The Sun, Ting Tings, The Strokes and Tahiti 80. From Arctic Monkeys, Elliot Smith, Radiohead and Simon & Garfunkel, to Rage Against The Machine and Elvis Presley. The 15 tracks that form ‘Everything Is Gonna Be OK In The End’ are pieces often constructed with friends, such as Lisa Li Lund (The Big Crunch Theory), Marie Flore or Krause to write pretty melodies, Solange La Frange to scream her rage, Little Barrie to fire up his Gibson, Naughty J (NTM) providing scratches, and guitarist Brigitte to arrange all of this, and even their wives to sing on tracks that become hits. From track 2 ‘Breezy’ (we’ll leave it with you to see if you can pick up the reference the dialogue in the song comes from…), to the Grand Popo Football Club-esque ‘Broken Toy Boy’, the risqué ‘Kill Me’ and dancefloor filler hit ‘Baby Baby Baby’, it’s riotous fun for all the family, mixed by Antoine Gaillet and Vicarious Bliss. An album that begins with a mild thrill and ends in a bloodbath, perhaps?