Normal 0 false false false EN-AU X-NONE X-NONE MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} Ray Campi has been around since the dawn of rockabilly (he cut his first record in 1951), New York-born but Texas-raised   he   plays his trademark stand-up bass, which he often stands and balances on as part of his live show. Ray is a living reminder of the energy and vitality of the '50s rockabilly style and the country boogie and swing pieces that went into the music's DNA, several examples of which are collected here that celebrate Campi's roots in the genre. Features original tracks that influenced Ray in my youth and includes like Sleepy LaBeef's "All the Time," Merle Travis' "Sweet Temptation," the Delmore Brothers' "I Let the Freight Train Carry Me On," plus many more.