In their second volume exploring lost American violin sonatas, Solomia Soroka, Phillip Silver, and Arthur Greene survey a half-century of music-making, from the buoyant High Romanticism of the Bostonian Clara Rogers via the impassioned early Impressionism of the New York-based Albert Stoessel, to the explicitly Jewish sounds of Julius Chajes, who settled in Detroit, one of the many refugees from Nazism who added a new flavour to American music. All three works testify to the rich heritage of forgotten American music awaiting rediscovery by alert and curious musicians and listeners.