"Evangelic Girl is a Gun" is yeule’s most unrestrained and emotionally baring work yet, as they grapple with ideas of a self-destructive identity burning through the canvas of post-modernity. yeule, the cyborg alchemist coalescing the soundscapes of glitch-pop electronica, alt rock, and trip-hop.

After their breakthrough sophomore album in 2022, Glitch Princess, Nat ?miel crystallised their place as alt electronica luminary with their boundary-breaking 2023 album softscars. Both albums were named Best New Music by Pitchfork with the latter lauded as a “riotous, high-energy journey” by the Guardian.

With their forthcoming work, yeule paints us a picture with divine poise: fragmented shards of their persona non grata, or "darker side," pieced together as the painterly fatale who burns through the canvas of post-modernity. With visual artworks captured by artist Vasso Vu, Cmiel is seen here tethered to their role as a "painter" before performer.

yeule, reincarnated again as a haunting facsimile of their past in Evangelic Girl is a Gun. ?miel paints an homage to the artist’s role—an artist that illuminates the neon glow of an ego death, and the transformative forms of love, immortalising in our physical reality, their dream within all dreams.