Instrumental concertos 1938-1940 After numerous large-scale symphonic productions Karl Böhm and the Sächsische Staatskapelle opened up a new genre in the fall of 1938 a new genre. From now on, more and more renowned instrumental instrumental soloists were brought to Dresden for recordings - an illustrious mix of world stars, some of whom who were guests in symphony concerts of the Sächsische Staatskapelle on several occasions, such as the pianists Wilhelm Backhaus, Edwin Fischer and Walter Gieseking, from newcomers such as the young violinist Wolfgang Schneiderhan and many more