Born in la Hague near Cherbourg and based in Rennes for 7 years, Héron Cendré builds a poetic world made of modular synthesizers and field recordings picked up in schools and other minimal lo-fi weirdness. The album 3-4 is a perfect example of this and is « a pure, minimal, chaotic, holy, cosmic, tender skill, somewhere between a movie soundtrack and a signal from outer-space ». His influences include Terry Riley, Philippe Glass, Hiroshi Yoshimura, François de Roubaix, Jean-Jacques Perrey and Pierre Bastien.