Andrew's ever-present field recordings are still present. However, here they are used to construct new or as yet untold narratives such as in 'The Healing' and 'Music Gemålde'. His increasing use of, and exploration with, the sound of his guitar features far more prominently on New Eden, sometimes in ways that sound unlike guitar at all, lending an organic element to the overall sound. At the same time, Andrew was also exploring ideas of restrictive practice, of deliberately narrowing the creative options. Much of the approach to New Eden has come from the Landscape Studies series, sharing the influence of landscape and weather patterns. Additionally, over the last year, Andrew has collaborated widely both with familiar artists like Anne Chris Bakker as well as with new ones, and there are hints of their influence throughout this body of work.