When you are in love, you can never get enough, so Pollini has done it again: In summer 2007 he and the Wiener Philharmoniker recorded the early Piano Concerto in a major, K. 414 and the famous C minor Concerto, K. 491, a work characterized by it's brooding pathos. As with his first Mozart recording, Pollini's relationship with the Wiener Philharmoniker is again unmediated by a conductor - an enterprise that presupposes the deep mutual understanding of the partners. The result is one of the noblest and most profound Mozart experiences imaginable.