As the drummer of insanely popular folk-rock band Boy & Bear, the majority of Harts musical life is spent behind the drum kit – touring the world, singing back-up vocals, and contributing songwriting to the award-winning Sydney groups beloved songs and spirit.

This high-profile existence pushed Hart to make his 2012 debut album, 'Milling the Wind,' a bare bones folk record. "Something that wasnt so meticulous and thought out," he says now. But for his second album, 'The Narrow Corner,' concept was shunted aside for life experience.

Written largely on the road and recorded between touring with Boy & Bear, 'The Narrow Corner' hinges on themes of loss, disconnection, and how travel alters perspective, for better and worse. It also introduces Hart as a skilled and plain-spoken curator of his own interior universe.

"I'm really interested in the way we write about love and good or bad times," says Hart. "A lot of people write about love and loss with anger and passion. But theres something nice about when passion has gone away and the anger is not so acute, but the reality is still there. As if youre scarred from an event and have to carry it with you but life goes on. So I find the complacent and the mundane really interesting, because it holds that and thats what life is like most of the time."

Playing the majority of instruments himself, 'The Narrow Corner' reunites Hart with 'Milling the Wind' producer Mark Myers (Emma Louise, The Middle East, Timberwolfe), as well as Sydney producer Wayne Connolly (You Am I, Knievel, Cloud Control), responsible for Boy & Bears Harlequin Dream. Both encouraged Hart to hone his craft.