Banjos have been used in southern Africa for a long time as musical tools that can be made locally, for solo performance or playing in a group. Factory-manufactured American banjos were introduced in the 1920s and 30s. At the end of World War II they had become prominent dance music instruments throughout the Federation of Rhodesia and Nyasaland (1953-1963). But from the mid 1960s such instruments, even guitar strings, disappeared from shops in the newly independent countries, Malawi and Zambia. Adolescents began to experiment on their own. It was from the late 1970s that young boys with homemade banjos were increasingly seen at street corners, on country roads and around towns. They began to not only to construct banjos but also guitars, percussive devices as well as a huge bass banjo/guitar, usually with a single string, played with stick or a bottle as a slider. This is a vibrant culture, neglected by the local mass media that go for the established dance music played with electric guitars, keyboard and synthesizers. From the 1990s until recently, however, the music played by itinerant adolescents was the most varied and most frequently encountered small group musical activity across Malawi and parts of Zambia. Their audiences are found at market places, mini-bus stations, various other points of gathering and also in or near their home villages at dance parties. Their repertoire is a creative mix of personal compositions (music and text) in the style of current media transmitted music, from chimurenga to reggae etc., but usually much more complex than the models which are emulated. Many people are not aware of the intense experimental spirit that pushes these boys. They continually invent or discover new terrain in acoustics and performance technique. This collection presents a wide variety of audio-visual field recordings filmed by renowned Malawian cultural anthropologist Moya A. Malamusi. Also included on the DVD is a PDF booklet with biographical material about the musicians as well as historical information and a discussion of the banjo in Malawian culture.